Victor later told the magazine that it is "coming sooner than you think", explaining: "The procession is starting and it's not stopping." On January 27, 2022, West captioned an Instagram photo of his childhood home in flames with a date of February 22 along with the title Donda 2, also mentioning fellow rapper Future will serve the role of executive producer. In an interview with Complex on January 3, 2022, Victor Victor Worldwide CEO Steven Victor exclusively told the website that West had begun working on a sequel to his tenth studio album Donda (2021), entitled Donda 2.
Because of its exclusive Stem Player release, the album became the most pirated worldwide in February 2022, with emulators of the device shared online. Some were negative towards West's vocals, though a few critics complimented certain elements of the production. Donda 2 received mixed reviews from music critics, who often criticized its subject matter, song structures, and lack of concept. It was preceded by the singles " Eazy" and " City of Gods", released in January and February 2022, respectively both of them charted inside the top 50 of the US Billboard Hot 100.Īn accompanying concert entitled "Kanye West: Donda Experience Performance", showcasing songs from the first iteration, was held by West at LoanDepot Park on February 22, 2022, selling out 47 IMAX theaters across the United States. West began the recording and production of the album in early January 2022, continuing into the next month. More tracks were later included in updates the first of which were added the following day. It was released as an exclusive on West's Stem Player service, with four tracks first being made available on February 23, 2022. The difference between Kanye today and Kanye back then isn’t as great as people think, but when people say “the old Kanye,” this is what they mean.Donda 2 is the eleventh studio album by American rapper Kanye West. Listening to these raw performances today, it’s clear there would be a massive shift in Kanye’s career mindset between Late Registration and Graduation – even more so than listening to the two albums sequentially. Even without Cam and Nas to perform their verses, he carries the epic “Gone” all by himself.
He becomes manic and often even breathless. To see or hear him live brings this out even more. The passion Kanye brings to Late Orchestration is almost unparalleled – you can feel it in his voice. But outside of a few guest-verse omissions, one of the only big switch-ups on the live versions of these songs is John Legend’s appearance on “Heard ’Em Say,” which makes you wish you could go back and get him on the album version. When Paul Wall isn’t there to do his verse, Kanye chops a single of his lines over into an electrifying interlude. It’s hard to imagine a time when Kanye, Lupe Fiasco, GLC, and Consequence were all in one room together performing and collaborating. One of the best things about Late Orchestration is hearing live versions of guest verses we’ll probably never hear live again. (It’s funny to hear Ye talking between songs without launching into tirades long enough to qualify as an intermission.)
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There are moments when the instrumentation differs greatly from the album version and Kanye, pushing himself into an entirely new field, isn’t sure how to rap over it. Most of the songs chosen for the album had barely been performed live at all.
It was recorded on Septemat the famous Abbey Road Studios, less than a month after Late Registration’s release, during a session for which Kanye enlisted the help of a 17-piece all-female orchestra to bring his vision to life. Late Orchestration is a more journeyman outing than we’d come to expect from Kanye. The record and performance are impressive, of course, but feel almost quaint compared to what West would go on to do both musically and in his live performances. If hip-hop was becoming the dominant force in pop music – West being one of the foremost harbingers of this – why couldn’t he marry it with classical, another style that once dominated the musical landscape? Released on April 24, 2006, Late Orchestration was one of the early signs that Kanye would become obsessed with artistic notions that seemed archaic at first but were part of his vision to craft art that transcends time.
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